An Morrígan and Sarah Connor: Pt. 1 Deities and Icons

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A few weeks ago I was going to write a post about the relationship between my path following the War Goddesses and my pop culture interests and involvement in the Sarah Connor Charm School. I hadn’t gotten around to it, because it’s a busy time of year on the homestead and I was supposed to spend my writing time on an article which has a deadline (and I give myself an earlier one so I can get some feed back from a few trusted friends before sending it off). But it’s raining, and while I suppose I could be doing house work I’m not, and the article is in rough draft and I need a break before editing it so…here I am…

Meanwhile, during the time I wasn’t writing that I started to see links posted on  FB about some explosion about Pop Culture Worship on the Pagan Blogsphere. It wasn’t happening in any blogs I read nor were any Pagans I know who are students of pop culture (yes, this is studied), in fact, none of them seem to have piped up on it yet. I suspect one is watching for a research paper at this point. ~;p So I didn’t pay much attention until it did land in a blog I do read. I discussed some there, although by the time it landed in another blog I read, my interest in chatting had faded.  The first link has a lot of links to much of what was written before, although it seems to have continued going all over the place. I’ve only read a few, mostly just skimmed, most I haven’t.

And I’m not really going to get into the argument. There are too many things that came up that I could, but most seem to partially come from 1) perhaps caring a bit too much about what the fuck other people are doing. Yeah, I can go there, but I’m old and tired now, it doesn’t interest me much unless it affects my work in some way (like liars I have associated with and people who are claiming things about Gaelic culture that is insanely stupid). 2) Most of these opinions are expressed without a real understanding of certain aspects of pop culture studies that, well, I’m too old and tired to go into the entire background of here. It could take books, after all, then I’d have to come around to what has been said and where that fits or doesn’t. The overwhelming concern with pop cultures as “consumerist” is part of why I see no point really getting into it as that both over simplifies pop culture and also forgets the agendas of survival (in a different economic system) behind many of our old stories). There isn’t as much difference between modern pop culture and the popular cultures of the past as I think some people seem to think, just shortening the term doesn’t give it a different meaning. But I’m too old and tired to give 30 years of work in one blog post.  3) This idea is certainly nothing new. I’ve been around too many fucking Discordians and too many “Jungian Archetype” Pagans, often mixed, for far to fucking long to get my panties in a bunch about this. Where were you all talking about this 30 years ago?  Really, you’re just discovering this?

So I’m mostly going to discuss this in regards to, well, me…this is my fucking blog after all. And, of course, this post, which was partially planned already, may seem a bit defensive. Oh, well.

Of course, only one of the those blogging might read my blog, maybe. Has links to here anyway. But others might see that this blog mixes pop culture and spirituality, read that I have a Sarah Connor action figure on my gym shrine and such and come away with the idea that I worship Sarah Connor. Sorry, that would be weird (especially as I’ve met Linda Hamilton and it would be all weirdly conflated and how weird is that for her? Hells, it seems to have taken time for her to come to terms with the whole icon thing as it is). So here’s the deal, some of us make personal spiritual connections with pop culture without worshiping them. Deal with it.

The Sarah Connor figure on my shrine doesn’t represent any Goddess, They are represented by a statue, a modern artist’s interpretation of an Morrígan. “Sarah” is there to be a modern representation of warrior woman, not just this one character but a general, well, archetype. Yes, while I am a hard polytheist about my Gods, I also see the power of archetypes. I don’t worship them either. She’s there to be, as the character is for me, something to strive towards. And it’s important to me to have modern representation, not just those out of the Iron Age. Because I don’t live in the Iron Age.

Sarah Connor action figure and Dryad Design Morrigan statue

That, of course, goes with much of what else I do. My primary interest in training on the warrior path is modern, I might like sword training, but for me it’s not as practical as shooting. I try to do both, of course, because it allows me to honor the past and be ready in the present. Mind you, sword training can be practical, as my knees continue to age it might be more so for I might carry a cane as often as I do a gun. But in general, I’d just as soon have the gun too. I’m not role playing.

There seems to be some concept that if we focus on modern pop culture images that They might use it to connect with us. Well, yes. I just don’t see the same problem with that that others seem to have. And I also don’t think we can avoid it. See, I’m of the mind that it happens all the time already. Look at “alien abduction” and the similarities with Fairy encounters of the past. I’m personally not with the Whitley Strieber camp that that means the Folk, let alone the Gods, have been aliens all along. I believe instead the Folk show themselves to people in ways that those people might identify with, as it’s useful. It’s going to happen, we are products of our time.  And They are timeless.

Back in the days when my head was sort of stuck in the past, I had two things happen to me. One was a meditation in a warrior path workshop where we were told to approach a mirror and see ourselves as the warriors we wish to become. I actually approached expecting to see myself as my imagining of an Iron Age warrior, but instead I was pretty much dressed much as I was dressed, not much unlike Sarah Connor actually but for colder camping conditions. Unlike as I was then, in MA and not having made peace with guns, I also had firearms. It was a clear reminder to me to stay in the present.

Shortly after that I met one of the War Goddesses. Before this They always appeared archaic. This time, She was wearing a black wool skirt just below the knee, black tights and sensible shoes, a black sweater, neatly tailored black leather jacket and a beret. Same face I knew but the tattooing only faintly showing, same tri-colored hair but shorter and Her braids not as noticeable; She could have been mistaken for a human if one didn’t look closely. I’d been doing research on the IRA at the time, so I recognized this. But I also got the message here, “I am of Ulster at heart, but of all time.”  Mostly I still see Them in more archaic garb, but, again, it was a time when I think I could have fallen into too much romance of the distant past and I needed to be reminded not to.

No, She hasn’t appeared dressed as Sarah Connor, but if She did it wouldn’t be the same as me suddenly worshiping the character. After all, She’d have Her own face as I know it and tri-colored braids. It would be simply another form for the Shape-shifter, it would be up to me to reason why. After all this, it might even be a joke. I know better than to take everything seriously now.

 

Oh, wait, I’ve changed my mind

Yeah, I’m going to run off a few thoughts about the whole “pop culture is different from past popular cultures.” In order to avoid writing the book that this could take, I will probably get a bit disjointed. I also realize this is going to be at least two blog posts to get back to my original plan.

I do not know that there was ever a Goddess actually worshiped by the pre-Christian Irish titled the Morrígan. I don’t know for sure that there were Goddesses named Macha, Badb or Anand or if any would have born the title if They were. I don’t have one single myth. Anyone who calls the Irish literature “mythology” is mistaken. It’s not.  You can wish it to be, but it’s not.  It’s literature, written by Christian monks. And, at the core, that’s the only thing we really know about it.

We know it correlates to place names, but we don’t know what that means. So we know for some reason Emain Macha exists, but…we have multiple stories about why. (Meyer et al) Ronald Hutton’s take on this is that “It looks as if the authors knew nothing of her except her name, and were inventing stories to go with it.”(Hutton) Now, personally, I don’t believe that they created all these stories out of thin air, but the fact remains we don’t know. All these stories may well be complete fictions created with Biblical and Classical stories in mind, as the Monks certainly knew the latter as well as former,, or they may be older Irish stories with some Biblical and Classical elements added. That the Biblical elements have been included is indisputable, it’s just a matter of what they’re introduced to. The Classical can be debated, are these similarities from common Indo-European threads or directly lifted? This depends on if you follow nativist or anti-nativist thinking…or, like me, tend to be a bit in between. (Wooding)

The debate about the literature and it’s possible connection to pre-Christian ideas is going to go on. Most of us work around our doubts, find what we believe to be the voices of our Gods there, even when we have dismissed notions that any of these clerics purposely tried to keep Pagan ways alive. They had many different agendas, but I doubt that one. Yet, we still find power there because at least part of it is a continuation of the culture, even if the culture we get it from was decidedly Christian. Folklore still told by the people also changed, we have no idea what it was in the centuries before it was recorded even later than the literature. We hope, we pray, and it has meaning for us despite this.

For a lot of scholars, btw, it’s fiction. Interesting, telling of the time it was written, but fiction. I’ve seen Pagans get huffy about it, but that’s what it remains for many who have delved very deeply into it.

The simple truth is that all stories we have, no matter how old, no matter if they were through story telling or written down, have people with agendas behind them. Especially when they get written down. How different is it for a scribe 1000 years ago to keep himself alive by writing a fake history that pleases a king and a writer today who writes something marketable so she can try to make a living?  I suppose some will find major differences, but I don’t.

When we read the warrior tales, we see some really repugnant behavior, much which goes against the values expressed in the contemporary legal systems, from the heroes of the tales. This includes Cú Chulainn and Conchobar, of the Ulster cycle (something which I’ve been focused on lately a bit). Does this mean it’s our own sensibilities that are offended? As I said, much would go against the early Christian laws. Or might we think that the scribes had little interest in showing these Pagan warriors in a good light. Is this any different from a screenwriter who believes women should not behave “like men” getting license for one of the very characters he once complained wasn’t his definition of appropriately feminine? There are always agendas behind stories.

But story is always more than the agenda of those who create or tell it. Every person makes it something different. In feminist critique there is the concept of coding (or filtering). Whether it’s ancient tales (this has been used greatly in studies of folk tales, or modern.(Radner) People code things, change the stories in their own heads, in accordance to their own experiences. It isn’t only a gender thing, although that’s where most of the study has been, but also class, culture, sexual orientation, religion….pretty much everything that makes us different from one another. Diana Dominguez uses this method in her study of Medb, looking at how women, as well as the men usually focused on, might have coded these stories.(Dominguez)  I think over all studies of Irish literature could benefit from this form of  critique, again not just the gender issues. What do people get from it based on their backgrounds is as important to consider as what the creators might have meant.

What I’m coming to, and there could be so much more here, is that the differences between old stories and new ones exist but perhaps not as greatly as some think. It’s just our distance from one as compared to the other that makes it seem so. Rather like how so many people are surprised by every little finding that shows people have always been people, we always seem to think those in the past were greatly different than us. Everyone is different, but that’s just one way we’ve always been the same. ~;)

Seeking Inspiration

I think we’re now way beyond any idea that I’m talking about worshiping Sarah Connor or any other pop culture character. Let’s get to what spiritual meaning might be found separate of worship. Because that’s a big deal for me.

As I said, I believe story is important. It shapes us since were children and, yes, our stories come through TV, movies and comics as much as through books and far, far more than oral telling or even live plays.  Some people are geared to it more than others, some spend vast amounts of time role playing, cosplaying, writing fanfic, participating in fan clubs, going to cons. Some of us spend hours reading media critique and writing it. There are people who are not mindful of their media intake at all, perhaps the majority. But some of us know we are affected. We also know others are affected and we worry about it.

Yeah, some of that’s a “woman thing.” And I think that’s another issue that comes up for me. While men on a Gaelic warrior path have tons of old literature depicting their heroes as heroes, although I do hope they question some of the “heroic” acts described, you know such as rape, as I woman I’m not left with much. Despite the popular belief that there are lots of women warriors to be found, there really aren’t that many. And the one who has the most material about her is the villain of the piece, although I personally code her as more heroic than the Ulstermen she fights, all things considered and Dominguez”s study gives lots of reasons why. There are a couple of other women warriors who show heroism, one you’ll find in some links I’ve given already, but their tales are very short. One really is no more than a paragraph. This, btw, is the topic of the article I have been working on, I’ll let you know if it gets published.

So along with also looking for modern day role models, we sometimes just looking for role models. Any. And we’re not going to just be looking in the past. Are there real life ones we could be looking to instead, shit yeah! In fact, the Sarah Connor Charm School has developed a strong focus for honoring such women.  But Sarah Connor sums up all of that in one fictional package. And, of course, it brings up that she isn’t completely fictional, because she’s all of us. In all of us. Yes, including the paranoid conspiracy theory parts, in at least some of us. *ahem*   Again, there’s that archetype thing.

I feel I’m in pretty good company here. After all, while we are not a  “Gaelic Heathen warrior group” as I’m told someone described us on a Pagan radio podcast, many CR women who walk the warrior path seem to be interested. The reality is that it a very mixed bag, with many of our most active members being Christian. On the academic side, Dominguez has also written about modern warrior female warrior icons, “It’s Not Easy Being a Cast Iron Bitch”: Sexual Difference and the Female Action Hero and Tough and Tender, Buff and Brainy: A New Breed of Female Television Action Hero Blurs the Boundaries of Gender. Because we need to explore what the warrior woman means to us and to the culture.

This is turning out long, I have already accidentally published it and those reading on feeds may well have too much insight to my strange habit of stealing my own FB posts as notes for a blog. ~;p I intend to actually get back to the original post I was going to make in a separate post (EDIT: which is now up: An Morrígan and Sarah Connor: Pt. 2 Warrior Cults and Charm Schools).  I guess I got sucked into the way more than I thought I would, but I’m leaving the above, where I claim I won’t do that, where it is. (EDIT also Part 3: Our Gods and Heroes in Pop Culture takes a look at the reverse issue)  (EDIT: also Part 4: Training)

Oh, another note, of all the posts on this blog, the Wonder Woman one is more popular than all the other combined, by many times. I do think that tells us something, too.

———————
Kuno Meyer, trans. ‘The Wooing of Emer’“Tochmarc Emire,Archaeological Review 1, 1888, English Irish para. 30 pg. 151-152,

Geoffrey Keating (Seathrún Céitinn), Foras Feasa ar Éirinn: The History of Ireland Vol. 2, David Comyn, Patrick S. Dinneen, eds., London: David Nutt, for the Irish Texts Society, 1902–1914 English Irish Section 28

John O’Donovan ed. and trans., Annala Rioghachta Eireann: Annals of the kingdom of Ireland by the Four Masters, from the earliest period to the year 1616. Library of the Royal Irish Academy and of Trinity College Dublin Pt 1 English, Irish M4505-M4546

Edward Gwynn, ed. The Metrical Dindshenchas Vol. 4, Dublin: Dublin Institute for Advanced Studies, 1991 (org. 1906) English Irish Poem 12

Ronald Hutton, The Pagan Religions of the Ancient British Isles: Their Nature and Legacy, Cambridge, MA: Blackwell Publishers, Inc., 1995 pg. 154

Jonathan M. Wooding’s “Reapproaching the Pagan Celtic Past – Anti-Nativism, Asterisk Reality and the Late-Antiquity Paradigm Studia Celtica Fennica VI, Finnish Society for Celtic Studies, 2009 pg. 51-74

Joan Newlon Radner, ed., Feminist Messages: Coding in Women’s Folk Culture, Chicago: University of Illinois Press, 1993

Diana Dominguez. Historical Residues in the Old Irish Legends of Queen Medb: An Expanded Interpretation of the Ulster Cycle, Lewiston, NY: The Edwin Mellen Press, 2010

copyright © Saigh Kym Lambert

Rebuilding Her (Their) Cult(s)

Buy Me a Coffee at ko-fi.comIf you find this article helpful, please remember this was work to put together and I have animals to feed and vet

 

Recently Morpheus Ravenna, of Coru Cathubodua,* wrote that she is Not Rebuilding Her Cult in response to others who called for reviving ancient Deity cults and one mentioning that she was doing so for an Morrígan. I’m carrying on the blog cycle, for my first reaction to the title was “Well, I am!”

But that’s not really accurate, either.  I have no desire to build a cult and lead it, if that’s what that sounds like. It’s more I feel She or They are trying to rebuild it, that They are seeking people out to follow Them in a manner that is related to the old cult I believed existed. I wouldn’t mind helping to incite Her cult back into existence, however,and  to offer evidence of it and ways it might happen today. Although, of course, I may not always like what others do with the information I share, I have learned it’s better to live with that than be control freak (although I might have rants on it, of course). And I’m finding certain pressures to reveal my work despite any concerns that I might have.

The difference in my thinking might be explained in her second paragraph and my own take on the issues she brings up there. One being a different take on what the fact that there was no continuation and no documentation from practitioners of what such a cult was like means for rebuilding. We don’t even know if there ever was a cult to the War Goddesses. But that’s an overall problem with Pagan Gaelic traditions, we have to work with what we got, which is a combination of archaeology, Christian literature and law and some Classical observations (which were fewer for Gaelic cultures), as well as some cross-Indo-European speculations. Which is, of course, where Reconstructionist methodology comes in, we wouldn’t need to reconstruct if this problem wasn’t substantial.

Coming from this methodology also leads to a different take on what such a rebuilt, or reconstructed, cult might look like, today. Despite some “definitions” I’ve seen given that often makes it sound like we intend to practice exactly as our ancestors did (something which is impossible if we can never actually know and need to reconstruct to begin with, as well as living under different laws), “Reconstruction” means that we are using research of the past to reconstruct what such things might look like today, in a culturally related fashion. Neither recreating out of cultural context nor trying to live in a past that is gone. This means that even when we have evidence, not all things will be revived. Just as modern Druids, even Reconstructionist ones, manage to practice without human sacrifice,except symbolically, I believe we can reconstruct the war band cults without actually taking heads. At least until the Revenant Cataclysm finally comes.

Panel from Gundestrup Cauldron, likely showing a warrior initiation
Panel from Gundestrup cauldron

likely showing a warrior initiation

I do believe that such a cult or cults very likely existed, and I am focused on the war bands as evidence of them. I follow Epstein’s speculation that Cú Chulainn** is a representation of what the Christian scribes interpreted it might have been like.(Epstein, Ch 3). Following her thoughts that there would be similarities to the berserkr (“bear coats”) and ulfheðnar (“wolf coats”) practices of the likely very cultic Germanic warbands, I also extrapolate that we find hints in the stories of the Fíanna, despite actual Goddess connection lacking (although perhaps some hints to it with the female teachers, one named Bodbmall who Epstein notes may connect to the name Badb and she and Nagy have related to Buannan (Nagy, Wisdom of the Outlaw, pg. 102, Epstein, Ch. 2). From there, of course, to the díberga and their relationship to fáelad (wolfing). I find them interesting in their “unsavory” Paganism and withhold bias against them for the general brigand traits the clerics also attributed to them.(see Sharpe for díberga/Fíanna and McCone and West for that and the wolf speculations) I have also been doing a good bit of writing in regards to the canine aspects and how Cú Chulainn actually fits as more of an Outlaw than a tribal warrior, but these are not yet published. (I will, of course, be letting you know in this blog when they are available somewhere)

Although I want to point out that I’m not trying to create conflict between Ravenna’s vision and my own, only to note how we might be viewing particular’s differently as well as may have different focuses on thie history. Regarding the points Morpheus makes in her post. With location I am, as long time readers have likely figured out, focused on the War Goddesses in Gaelic culture only.  I do however look for relevant similarities found not only in the other Celtic cultures, but, also Germanic ones as there do seem to be many correlations between the war band cults of these cultures, although the Germanic are often to male Deities.  I do agree that the title an Morrígan may well have been held by many regional Goddesses, although I follow Stokes, Epstein and others regarding the title “Morrígan” as more common and older than “Mórrígan” and therefore means “Phantom Queen” rather than “Great (or Big) Queen” which is a later folk etymology  (Stokes, pg. 128, Epstein Ch. 1 “etymologies,” I also go into this a good bit in some upcoming work) and may not bear relation to the “Great Queens” of Brythonic cultures which. Therefore my focus is with working within a Gaelic framework, although I would hope to network with those who might revive war band cults from other cultures. It does, however, lead to a certain flexibility and understanding that more than one actual cult is likely, should any start up again or not.

As for seasons, there is a preponderance of focus on Samain† in the tales an Morrígan is strongly featured in. However, this does seem to have been a time relating to Otherworldly and special events. While wars in the tales often start at this time, we also have later Fenian tales that note that warfare ceased from Samain to Beltene,. Other accounts, and archaeology, does seem to point that warfare and raiding did seem to quiet, if not cease, at Samain, but raiding started up around Imbolc.(Patterson pg. 123, 132-133) Given the link with the warbands and wolves, as well as this return to raiding, I also link Imbolc, or the period between Imbolc and Beltene, with specific work on Awakening the Wolf. Lugnasad, a time of festivals involving horse racing, has been linked specifically to the sister War Goddess Macha. Therefore there is no specific season for me in regard, there may just be difference in focus, devotions of a modern cult might turn inwards more during the winter months, and outward during the summer, in keeping with the tales or might alter depending on seasonal changes in location. Modernizing this doesn’t seem to be a large issue for me.

Incidental or temporal worship already seems carried over by many us anyway, again, within the bounds of legality. Taking omens, making offerings (even if subtly) for specific reasons in specific places is not a large issue. It would, undoubtedly, be an issue for those professional warriors upon battlefields, but this is where we adapt to the situations we are in. And, after all, incidental worship is about adapting.

It is devotional practice is what gets to the meat of it. That which was done, that which we can do now based on the evidence. It might also be where difference in seeing a rebuilding or a new tradition might come in. I already noted, that if in general CRs have had to forgo human sacrifice or adopt symbolic practices (many of which are later folk practices such as the Bealtuinn “sacrifice”) I think we can manage to refrain from piling actual heads. A few modern Gaels I know are quite into the symbolism all the same. Of course, “war spoils” and other related votive offerings can be easily retranslated to modern context of what we find symbolic.

But as I noted, I relate the cult to the Outlaw war bands, what may well have been a Pagan subculture of the early Christian culture. (see McCone, Sharpe, West) Therefore my focus is on the practices which we can interpret about these bands, even in the face of the rather negative reputations the díberga might have, especially in some saint tales. Devotion to me may not be that far off from the non-battle things these warriors offered. Their bodies, their effort into training and preparing. Whether one becomes a full, literally blooded, warrior or not, the training part is there for all of us who do walk the warrior path.

But, again, as I noted above, I also see this as ecstatic practice “shape-shifting” …for me it’s canine, for others I’ve talked to there may be corvid. This may be about out-of-body travel or about an embodied fugue state, strengthening the trained body. (I will eventually have an announcement on something on this). While I am often focused, especially in this blog, on the practical, I feel it’s important to have the ecstatic aspect as well, at least for those so inclined. (No one said every member of a cult would necessarily do the exact same things)

So for me rebuilding Her/Their Cult/s is about the devotional practices, often very embodied ones. And in a modern context. These things would vary by whether one is a professional soldier or a, well, amateur walking the warrior path, of course, as well as on ability and talents. But it would involved fitness, practical martial arts training (which may not always be traditionally Gaelic and could include firearms training), culturally traditional Gaelic martial arts training (which may not always be practical), ecstatic shape-shifting, Seership, poetry and other arts. Not all in the cult might be warriors, we have in the Fenian material druids who helped train Finn in the Sight, after all. But it would be the key focus. I also see an importance on preparedness for a variety of situations, as well….after all, many of us amateur path walkers seem to be preppers. For some of us, hunting, foraging and deep wilderness exploration might connect  us to the Outlaw role as well. Again, we must adapt for hunting seasons are almost the opposite now as they were in early Irish law. (Patterson)

There is, of course, what a cult provides, both members and community, as I believe that service is a key role. The war bands may not have been in the society, but they did serve it.  This is not necessarily focused on our “religious” or cultural communities, but should probably include or physical neighbors of all cultural and religious backgrounds. The professional, soldier, LEO or related, serves a broad community in obvious ways. Others might volunteer for CERT (Community Emergency Response Team),  help organize the local community to deal with disaster and long-term preparedness, teach martial arts and/or self-defense, become victims’ advocates, do volunteer escort in dangerous areas (working with a proper community organization and within their guidelines). And, of course, providing appropriate rituals for those who do worship our Gods when they have need of the War Goddesses.

Needs for members would vary for the professional warrior who has seen combat and is returning to her family, but also for the rape survivor who is moving from victim to hero in her own story. Rituals can be developed for such transitions based on literary references. Makings sure cult members are served by the cult, creating a support system for each other, is a part of the reason to have such a cult, after all. Because it is true, this is not an easy worship, not even for those of us just on the path who might never be blooded as full warriors. For those who are blooded, it is often traumatic so support within a cult would be vital. Ritual, counseling, intervention, just having the right people to connect with and help each other connect to the Goddess we serve. ETA: Perhaps even a good hurling team can be a part of that healing. How long a cult member might be in the cult may vary individually and by need as well. A soldier may find her/himself drawn to service of a War Goddess, but wish cleansing and to move away from the cult when returning to civilian life while others may be, as Nagy put it, “chronic Outlaws.”

I feel that cults based on what we know of the culture, kept in cultural perspective but adapted for the laws we live under, is fully possible using Reconstructionist methodology. I also believe it’s something They want and I hope to see more cultic development in my lifetime. In fact, I’m smelling things on the wind which I think might become very interesting.

*ETA: I now need to note that I in no way associated with this group. I had only ever read the blog and for awhile some  members where in my FB War Goddess group. As I am a devotee to Macha who has vowed to fight for Her horses and to end horse slaughter,  I no longer have even that amount of contact due to the group eating horse meat in a misguided and loathsome attempt to somehow honor Her. Doing this is as close to sacrilege as I could even imagine. Therefore do not read this mention of the post, done before I knew about this, to be any sort of recommendation. Please see another blog I write for Heathens and Pagans for the Horses

**This relationship seems problematic as most see conflict and rejection between Cú Chulainn and the Morrígan. However, looked at from from the warrior path apparent antagonism begins to make sense that She challenges and goads him, he comes back with the arrogance She expects and he rejects the easy victory as he is also expected to do. No one said serving a War Goddess was simple, straightforward or painless.

†I am using the older spellings here, rather than the Scottish Gaelic ones which are my preference as this is relating literature and history.

Angelique Gulermovich Epstein, “War Goddess: the Morrígan and her Germano-Celtic Counterparts” dissertation for UCLA, 1998

Kim McCone, “Varia II” Ériu 36, 1985

Kim McCone “Werewolves, Cyclopes, Díberga and Fíanna: Juvenile Delinquency in Early Ireland” Cambridge Medieval Celtic Studies, issue 12, 1986

Joseph Falaky Nagy. The Wisdom of the Outlaw: The Boyhood Deeds of Finn in Gaelic Narrative Tradition, Berkeley: University of California Press, 1985

Nerys Patterson. Cattle Lords & Clansmen: The Social Structure of Early Ireland, Notre Dame, IN: University of Notre Dame, 1994

Richard Sharpe, “Laicus, Irish Láech and the Devil’s Men,” Ériu 30, 1979

Whitley Stokes, trans. “The Second Battle of Moytura” Revue Celtique 12

Máire West, “Aspects of díberg in the tale TogailBruidne Da Derga,”Zeitschrift für celtische Philologie (ZcP) , Volume 49-50, 1997

copyright © 2013 Saigh Kym Lambert

Book Review: Historical Residues in the Old Irish Legends of Queen Medb: An Expanded Interpretation of the Ulster Cycle by Diana Dominguez

Book Review: Historical Residues in the Old Irish Legends of Queen Medb: An Expanded Interpretation of the Ulster Cycle by Diana Dominguez

Edwin Mellen Press, 2010

Sometimes resources find you just when you need them, this was the case for me when I was in early struggles of resuming work on Teh Project and I came across a dissertation by Diana Veronica Dominguez exploring Medb of Connacht ‘s story using the theories of gender parody/performance. This study has now been published as this book, and I feel it is a transformational study leading to a deeper understanding of Medb, and perhaps womeCover of Historical Residues in the Old Irish Legends of Queen Medbn in the literature as a whole.

Medb is the most featured of all female characters in the Irish matter, let alone the most featured woman warrior, yet she’s often treated merely as a footnote, either a misogynist joke or a humanized Goddess. A predominant theory is that she was nothing more than an example of how wrong it is for a woman to be sexually free and to attempt to take on male roles. For others, she is seen as a humanized Sovereignty Goddess, conflated with Medb Lethderg despite no real connection being made other than the name, “redeeming” her sexuality as appropriate and laying the blame for all her “failings” at the feet of the “unworthy kings” she weds. Neither makes for a very complex figure.

Dominguez doesn’t dismiss these prevalent theories, in fact, she explores the cultural lenses that created them, as she addresses the idea that story depends on the view of the audience and how they read intentional and unintentional coding. Along with showing how Medb can be seen to enact both stereotypical feminine and stereotypical masculine traits to meet her needs, she shows how differing views, by various contemporary and later audiences, bring to life a more complex, multifaceted literary figure. Neither the coding nor the gender performance need to have been intentionally meant by the transcribers or tellers of a story, the coding and how recognizable it might be varies in the audience, according to their own cultural or sub-group knowledge. Having an understanding of the culture can help us determine what coding might have been read at the time.
Dominguez’ exploration of the culture of Ireland at the time included looking at the knowledge base of those who would have transcribed these tales, of native, Biblical and Classical traditions and of history. She also explores the possibility for actual women warriors, without getting into the romantic notions so popular today (although I, personally, find the Cáin Adamnáin/Lex Innocentium a little less hopeful as I note here). She also discusses the real-life queens who lived at the time the stories were transcribed, who were clearly politically influential even if not titular, and that the Anglo-Saxon Queen Æthelflæd was well recorded in the Irish Annals. She notes that changes in Medb’s stories in later text may well have been influenced by these queens lives. She also reminds us of the potential for brother-less women to become temporary (as their inheritance would return to their father’s family) heirs; this may never have come up in regards to rule given “…there was never a shortage of males vying for ruling power…” but such a possibility may have been a consideration in the contemporary minds. This makes Medb and her sisters, with their brothers having been exiled for treason, more readable as exaggerated, but somewhat plausible, fictional rulers.
Whether such female leadership was acceptable as a reality to the original audience of the time, Dominguez reminds us that it certainly is accepted in some of the tales despite misogynist remarks in the TBC. Others come to her, not her huband(s), for counsel and even when Fergus goes to Aillil in Táin Aillil turns to Medb’s advice. In many of these cases her advice is labeled by scholars as flawed and malicious due to her gender, but the reality is that it is neither more nor less manipulative than counsel given by male characters and there are clear ends to be met, often to protect herself which protects her Connacht. Importantly, I feel, the idea that her reasons for going after the bull in TBC are often trivialized as “willfulness” and a “marital spat” is taken to task here. Dominguez points out that she had very real reasons for being at war with Conchobor who was not only her former husband but her rapist, killer of her son, the killer of one of her husbands, the man who humiliated her and her father. This was not about a frivolous seeking of fame or one-up-man-ship over her current husband. It was a very real political issue, about saving face which was a serious issue in Early Ireland and her motives are really no less appropriate than a man in this situation within this body of literature. In examining this, Dominguez also brings Aillil up from the typical reading of a weak cuckold, showing his reason for also wanting war with Ulster, the political implications for him in this situation and a reading that that, yes, there was a true partnership in this marriage.
Likewise, Dominguez makes a case for Medb as a a military leader, noting that many of “mistakes’ attributed to her “wrong-thinking” due to being female work as strategy. She shows that many of the decisions Medb makes that are written off by some scholars as “feminine whims” are actually very much in keeping with heroic male thought, while others are indeed performances of “feminine weakness” to get the men to take the action she wants and should responsibility for it. This also includes testing Fergus’s loyalty, and while Dominguez offers a more honorable reading of Aillil than many give, she shows Fergus was far more clearly duplicitous than often admitted to. Even Medb’s “humiliating” encounter with Cú Chulainn can be seen as performance and tactic, rather than a reversion to mythological state or depiction of her actually being a “weak and vile woman,” for the meeting buys time for her men to make off with the Brown.
In showing these various lenses, Dominguez shows us a multifaceted Medb, far from a saint, perhaps not everyone’s choice of role model (though I know a few who do claim her as such and will find this heartening), but a realistically portrayed literary figure who was likely understood differently by the original audience than by the Victorian critiques or ourselves today. She is not the first to do so, she has some good sources regarding seeing Medb a bit more complexly in the work of Ewa Sadowska, Doris Edel and Ann Dooley, but she certainly offers the most in depth look at Medb to be found to date. And this form of study leaves the door wide open for much further consideration.

On that, Dominguez wraps up by saying that she does not intend this to be the definitive exploration of Medb. She describes some of the many possible issues to still examine about this character who stands out in the Irish literature as a heavily featured woman. She comments that there are issues outside of the scope of this study that she only touched upon such as the relationship with Medb’s daughter Finnabair, the issues around the likely rather late, and very defaming, death tale Aided Meidbe. I hope that there are other scholars who will or are taking new lenses to her stories, taking up the challenge.

If this review seems uncharacteristically positive, keep in mind a couple of things. One, it’s hard to argue with someone pointing out that there are multiple ways to view something, because, well, there are just more views. But, full-disclosure, when I found the dissertation I looked Dr. Dominguez up and wrote her an email, because I am the sort of geek that writes fan mail to academics. I found this study to be not only informational, but very inspiring at a time when I was feeling out of sorts over my own project. I think that this study is a vital piece of the puzzle in understanding the place of women, especially women warriors, in the literature and it stands strong as part of what I think is a growing body of work on women of Early Gaelic culture, both literary and historical. So, yes, I highly recommend this book to every Celtophile out there who wants a deeper look at Medb, or women in general, in the culture. I would like to recommend it even more strongly to those who think they already have it all figured out.

The one real quibble I have with the book is something I suspect is in the publisher’s hands, which is that the index is clearly not as complete as it could be.
As an aside, I have to admit that I was also delighted to learn that Dr. Dominguez has not only concerned herself with this literary warrior woman of Early Ireland, but also has an interest in depictions in our own pop culture. Two essays she’s had published relating to this are “It’s Not Easy Being a Cast Iron Bitch”: Sexual Difference and the Female Action Hero and Tough and Tender, Buff and Brainy: A New Breed of Female Television Action Hero Blurs the Boundaries of Gender. It’s just nice to know that I’m not alone in combining these two interests.

Copyright © 2011 Kym Lambert

“…led by a mare…”

Misty looking at Saorsa behind her In a short time, possibly today, I will be posting a book review for Dr. Diana Dominguez’ Historical Residues in the Old Irish Legends of Queen Medb: An Expanded Interpretation of the Ulster Cycle which explores Medb’s story through the theories of gender performance and the reading of coding in literature. But I’m distracted, as I was when I first read this, by what had long been a pet peeve of mine that her concepts have allowed me to reconsider a bit. That is one line, just one line, in the Táin Bó Cuailnge, one that not only offended as a feminist, but I found just stupid as a horsewoman.

‘That is what usually happens,’ said Fergus, ‘to a herd of horses led by a mare. Their substance is taken and carried off and guarded as they follow a women who has misled them.’

copied here from Rec 1 pg. 237

Now, while it doesn’t seem (frankly the OI is beyond me here) that he is actually saying that a herd of horses is better led by a stallion, that’s an obvious implication. But here’s the thing that bugs me. The Irish are fairly well considered good horse people. Therefore they should have known one basic little fact. Stallions do not lead herds. Mares do.

This is such common knowledge in the horse world, except for a few hard-headed idiots who might consider themselves horsemen but will never get anyway, that I’m loathed to bother to reference it. Pretty much go to anything on various wild or feral herds, anything on pasture breeding, any of the Natural Horsemanship type trainers and you’ll find it. However, this crossed my FB page recently and so I don’t have to hunt anything down and this demonstrates that some horses are so fundamentally dependent on mares they can’t sleep without one to tell them it’s okay.

Mares lead the herd, they do determine where to find water and safe passage. The single stallion of a herd is there for two or three reasons. To breed. To keep other stallions from separating off some of the mares from the rest of the herd which would make the herd too small and vulnerable. And, on occasion, to throw himself at predators being the most expendable and easily replaced member of the herd (something one might note Medb’s story demonstrates as well). If the “substance” of a herd “is taken and carried off” it would actually be the stallion’s fault, because that’s his job, leadership isn’t. A mare would be leading, as is her job.

So considering coding, this reads as, well, perhaps something more. Remember Medb has gotten what she wanted, humiliation of Ulster by successfully carrying of the Brown and the continuation of her rule by equaling her husband’s bounty, once both the bulls are dead. It came with great destruction, of course. Fergus, btw, has never been a character I respected and Dominguez does demonstrate that the respect he seems to get from some, usually male, academics does not seem to match his obvious treacherous behavior.

Now, there is a chance that all the clerics who wrote this down didn’t know a damn thing about horses and like some misogynist men today really do think that stallion is the boss. But you have to figure someone took it as a joke through all this time. Perhaps it even was meant to be, at least by one person copying it even if he didn’t originate it. A joke by Fergus? A joke on Fergus? Perhaps more horse savvy listeners to the tales took it as a joke on the naive teller?

But whether it was ever read that way, to me, today, as a feminist and a horsewoman, I think it’s damn funny. I’ll always see it as that.

Copyright © 2011 Saigh Kym Lambert

F- words and several W- words and some stuff that starts with other letters

Actually, it’s mostly “w” I’ll likely discuss here, but the letter “f” probably grabs more attention. ~;p

A recent “discussion” some friends of mine were in, which I won’t go into here brought to light that I don’t always use certain words publicly to describe myself. This has led some people who do not know me to outright say that I reject at least one of them. That would be “witch.” People who claim that are, to put it as politely as I’m able to (as I pointed one to said FB page and STILL haven’t received an apology), full of shit. I do. Note, I use the lower case…it’s not a religious title, it does not have the same meaning as Wiccans attribute to it. In no way would it refer to anything anyone would want to make acceptable to the mainstream society, but we’ll get to that in a moment. The word ties in totally with other words that I am and/or do, some of which also begin with “w.”

The claim of those who wanted me to not use this term because they’ve decided, in their own little minds, that Celtic Reconstructionist Pagans* never, ever, ever use it, is that it’s disrespectful to those in the living culture who do not want it applied to them. Well, I’m NOT applying it to anyone else. I’m applying it to me. I’m doing so for many reasons, some which are more personal than I usually go into. But I want a record, for those who next come across these people making this claim…I am a fucking witch.

Those Big Nose** CRs note that “witch” is used in Gaelic culture (in translation, of course) to refer to a malevolent magic user. This, of course, would fly in the face of those Wiccans and others who are trying to get it “reclaimed” as a nice word, something it never has been. And they are, actually, right, I totally agree. The difference is that while they also want to be acceptable to the mainstream, apparently, I do not. I think that anyone reading this knows I identify my path as that of the Outlaw Warrior Poets, the Fianna and here is our first f-word, being seen as “nice” or “safe” is not part of my agenda.

Now, I am not comfortable using the term “Fianna” for what I am involved in, outright. I would not, that is, I’d not say I belong to the Fianna because that means something particular in modern day Ireland which I’m not a part of (this is not to say whether or not I am supportive, I’ll not bring up such things here, simple to say they have a claim to it that I’m not going to bother challenging). I do describe myself as a ban-fhiannaidh on occasion but I think when I do it’s usually clear that I’ve got my tongue planted in my cheek a bit and, like I do with that w-word you’re all familiar with here, I feel I’m still and probably always will be in this life time just aspiring to it. Perhaps even more so, as I’ve never quite mastered the tests noted in the lore and am of an age where it’s not likely to happen. I might refer to my path as being of the fiannaiocht, the way of the Fianna, inspired by these tales. I tend to skirt around the term, due to the politics, as I noted.

There are other terms in Gaelic for warrior that relate to the outsiders. Díberg is one, which is a term considered far more odious, meaning a “brigand” for which it might be said that fian was Plaque of The Morrigan in chariot sort of a clean-up although that term was not considered particular seemly and properly Christian by the clerics either. (McCone, West) There is, of course, gaisgeach and it’s various forms, which also are found when describing female warriors such as Símha inghen Chorrluirgnig, who is referred to as “…badhb & ban-ghaisgedach do muinntir Ghuill í…” “…witch and warrior-woman in Goll’s retinue….” (Cath Maigh Léna, also Heijda “4.2 Witches”) Oh, there we go that other w-word again.

So, back to that, badb in lower case is found throughout the literature to describe somewhat different classes of beings, as opposed to also being the name of a Goddess who is in the sisterhood with An Morrígan and Macha, and sometimes conflated with the former in a complexity which I’ll get into in a very long article and a longer book someday, maybe. Heijda discusses all of the variant uses and findings of the word badb, including “witch” throughout her essay and especially in the section “4.2 Witches.” That there is this combination of badb probably meaning what we refer to as “witch” and “warrior woman” is, of course, of great interest to me.

We see this sort of combination in various ways, the magic or mystical combined with the warrior woman. Indeed, it’s a strong point of the War Goddesses, including Badb (and again, yeah, it’s coming someday if it doesn’t burst something in my brain first). Scáthach is shown to be a Seer as well as a trainer of warriors. And we have another f-word I use in my practice fàisneachd, prophecy or Sight.

There are other terms which come up for “war witch” that I find interesting but a bit taxing for my limited Old Irish. You see accounts of Goddesses in both the First and Second Battles of Magh Turedh using magic, with a similar but not quite identical term. The term used in the First Battle for Badb, Macha and an Morrígan was bantuathacha which is translated by Fraser as “sorceresses,”(Fraser, pg. 44, para 48) but which is translated by MacAlister LGÉ as “female farmer or landowner.” (MacAlister, pg. 122-123, 160-161 regarding Ernmas, see pg. 150-151, 180-181 and 230-231 regarding Be Chuille and Danann –the last is translated as the odd “farmeresses”) In the Second Battle, Be Chuille and Danann offer spells to Lugh’s question of what all can provide and are referred to as bantúathaid, which would be properly “sorceresses” or “witches” and specifically malevolent ones. (CMT, Gray’s translation para 116-117 , pg. 53-54 in Irish given)

For the actual translations of the words see eDIL for the masculine forms tuathach and túathaid and use the “fuzzy” option as it seems impossible to direct to a translation. While Kondratiev suggests this replacement was a “…misunderstanding of the original word…” (Kondratiev) I wonder if there might have been more to such a change. However, my language skills are not up to such an exploration at this point and right now I sort of just like the idea of witch and farmer being somewhat blurry distinctions. Being that farmer is another f-word I’m aspiring to.

I don’t talk about the witchy or mystical stuff much, in fact I actually started a blog post about my mystical practices several months ago. It ended up becoming a rant on why I don’t write about “woo” and started to feel pointless and so it was greatly truncated and only mentioned as a part of another post. The experiment of writing about magic, trance work, Seership and all that woo-woo witchy stuff remains worked on offline. I’m not really going into it here. I’m just talking about identity here.

And again, I’m a witch. And a would-be warrior. And a Seer.

Along with this those of you who have been paying attention would realize there is another w-word I use, but am often reluctant at using too much or loudly although I have here a few times now…. werewolf. Again, connected to the Fianna/Outlaw Warriors, usually with the Old Irish f-word fáelad or “wolfing.”(McCone, West) When it comes to female werewolves the legal tracks mention confail conrecta “a woman who likes to stray in wolf-shape” (Bitel, pg. 219-220, Carey, pg. 64-68) although whether she might stray with the warbands is not mentioned. But you never know, I mean, they were wandering about too. Wandering outside of society….hmmmmm…..

Just as my definition of “witch” has nothing to do with the way Wiccans or many others in the NeoPagan community use it, my sort of wolfiness has nothing to do with Otherkin or therianthropy communities either. There are many differences, one again being the angst over being “understood” or accepted or what ever which is often a central theme. Or angst in general. I’m not some lost soul born in the wrong body, I’m someone who seeks deeply into myself and the Otherworld to embrace a beast that I can be and I’m the only one who has to embrace it…or can. It’s again about seeking that wilderness, about becoming primal in my body and taking a particular form to travel “astrally” and not about seeking an online community. (I have noted before that A Wolf-Man, Not A Wolf In Man’s Clothing is the one blogger out there who I can relate to at all on this, although we do vary in many ways as well)

All these things I am were not considered favorable by the ancient Irish societal laws that we know, which were Christian. We have no way of knowing, truly, what the pre-Christians thought of them, but these things were, in fact, considered “other” and, yes, “pagan.” These were indeed seen as negative things, but I embrace them and rather than embrace the thinking that shunned them. I have no interest in bringing them out of the wild. In the Brehon laws, none of these things that I am were given honor price nor even sick maintenance. (Kellly, also Bitel, pg. 219-220, Carey, pg. 64-68 specific to female werewolves)

Being outside, being counter-culture, being subversive to a sick society was once embraced by many of us, but sometimes I feel alone. In the ’70s, and yes I’m old enough to remember, the word “witch” was adopted by many feminists to equate with a woman who was dangerous to the patriarchy and to the gender status quo. At the time there was even some contention between feminists who never heard of Wicca and the Wiccans who felt they alone owned the term (as some still do), but, of course, some of those women became Wiccan and even developed their own traditions. Many already felt that was giving into a mainstream. I like “witch” for some of the same reasons they did, as well.

There is a power to being outside that I think some forget. The “noble savage” might be a naive trope, but the reality of what that can mean in a real sense about morality is something we might want to consider. It is much like the issue of if we can be “good” if we do not believe in eternal punishment, can we be good if we reject a society’s notion of “good” and “evil?” Is what is outside malevolent and dangerous not because it’s truly evil, but because it doesn’t obey the cultural constricts of what “good” and “evil” mean? Is there not more honor in being good and just when there is no societal reward for it, when, in fact, society may not truly be good or just? Am I stuck in the past because I still believe in this? Fortunately, there are those Occupying the streets of many cities for several weeks now who also are questioning this. So, no maybe not.

I do not fully understand why some who I know embraced these ideas have become so fully invested in placating those who wish to restrain us. But I put this out there so that if anyone has any question as to whether I have changed my status with culture, it is here. I am a witch, I am a would-be Outlaw Warrior Poet, I am wolfish at times, I am a Seer and a mystic. Don’t fucking tell anyone any different.

(For more about warrior women in Irish Literature see Once Upon A Time…. and The Warrior who Knew No Art of Wounding for more on my trying to put this shit together see A place where things come together, Weighing things out and Ramblings about Serving the War Goddesses or…)

Bibliography

Lisa Bitel, Land of Women: Tales of Sex and Gender from Early Ireland, Ithaca: Cornell University Press, 1996

John Carey, “Werewolves in Medieval Ireland,” Cambrian Medieval Celtic Studies 44 (Winter 2002)

Cath Maige Tuired: The Second Battle of Mag Tuired in Irish Elizabeth Gray, trans. Dublin: Irish Text Society

Cath Maigh Léna for the Irish, Kenneth H. Jackson, ed. Cath Maighe Léna Dublin: 1930 or E. Curry, ed & tr, Cath Mhuighe Léana or The Battle of Mag Léana together with Tochmarc Moméra or the Courtship of Moméra Dublin: 1855; J. Fraser “The First Battle of Moytura.” Ériu 8, 1915, English translation

Fergus Kelly. A Guide to Early Irish Law, Dublin: Dublin Institute for Advanced Studies (School of Celtic Studies), 2001

Alexie Kondratiev, “Danu and Bile: The Primordial Parents?”

 

RAS MacAlister, ed. and trans., Lebor Gabála Érenn: The Book of the Taking of Ireland Vol IV. Dublin:Irish Text Society, 1941

Kim McCone, “Werewolves, Cyclopes, Díberga and Fíanna: Juvenile Delinquency in Early Ireland” Cambridge Medieval Celtic Studies, issue 12, 1986

Máire West, “Aspects of Díberg in the Tale Togail Bruidne Da Derga,” Zeitschrift für celtische Philologie (ZcP), Volume 49-50

*They also do not like “Pagan” and all I’ll say to that is that yes, I DID initially use “Pagan” and that was the original term “Celtic Reconstructionist PAGAN” because otherwise what the fuck are we reconstructing? “Celtic?” No, we’re reconstructing Pagan paths based on the Celtic culture we’re called to/come from/whatever. Anything else is as big an insult to the living culture as I can think of. If they do not like the “Pagan” part why the fuck are they using my term at all? And, YES, I was the first…for several years before others who claim to have “founded” it ever used it and even longer before they actually stopped doing Wiccan ritual by their own fucking admission at the time.

“Big Nose Pagan” has long been a term used in place of “Big Name Pagans” especially for those who aren’t really that big of name but do like to stick their noses in other people’s business.

Copyright © 2011 Kym Lambert
Graphic
Copyright © JBL Statues

The Warrior who Knew No Art of Wounding

In a previous post I noted the idea of finding inspiration in the stories of ancient Gaelic ban-fhénnid and indeed you can find many tales online and in books retelling and extrapolating these stories to be more positive than they may have been. One issue, of course, is that not all of these retellings are labeled as such, this is especially true, it seems, within the NeoPagan community but a second source tends to be tourist literature. There are many out there who think they know more about Scáthach or Medb than is really in the texts, which if given the label Unsubstantiated Personal Gnosis is fine, but at least in the non-Pagan sources UPG certainly isn’t a factor. There is, btw, quite a great deal on Medb in the text that is not so widely shared, while Scáthach actually has far less material on her. (Diana Veronica Dominguez, Historical Residues in the Old Irish Legends of Queen Medb: An Expanded Interpretation of the Ulster Cycle, Lewiston, NY: Edwin Mellen Press, 2010 is an excellent study of Medb using tales often not bothered with, making her far more human and far less a joke than what is usually focused on)

I believe one of the keys to using these stories wisely, is to be very clear about the fact we are making changes to them. Again looking at Medb, especially as examined by Dominquez, we can retell her story through what we as women can imagine are her eyes, rather than of the male eye which may use the tale to mock a woman making war. We can also emphasize things that some scholars choose to ignore in retelling her story. In order to point out that her quest for the bull in the Táin Bó Cúalnge is the folly of a haughty woman, it’s often left out that she, in fact, also had a reasonable quest for revenge against her former husband Conchobar, who had raped her and killed her son . Medb’s story really has a lot to offer in retelling without actually changing much or adding anything. Yet in retelling it we must be clear that it’s a different perspective from the way the Ulster Tales came down to us, possibly a different perspective than it was viewed by anyone before.

Scáthach, and most of the other warrior women in the texts, we really don’t have much on. It’s in this that we see that while there may be many female warrior names banted about, their stories are very much peripheral to the stories of male warriors, saints or they died horribly in place-name tales. If we tell more of her story than what is in the texts, we likewise need to be clear. For many of us these tellings might be UPG,even SPG (Shared Personal Gnosis), but to those who don’t believe, or simply don’t believe your UPG, stories from such sources are merely modern fictions. I believe it’s okay to have them, we just must be clear that these are not from the source.

Even Macha Mong Ruadh, whose story as a warrior queen is short but quite detailed and positive for her, I believe (although, you know, everyone dies at some point in every tale), offer’s caution. When we tell the tale we might be clear that when she lures the brothers one-by-one into the forest she overtakes them by her own hand. But it’s not actually told what happens in those woods. Someone who does not see women as capable of overpowering men, oh what sheltered lives they must lead, might be thinking she used magic, the only power many think women can ever have, especially those who don’t believe in magic, or had warriors waiting even if this version notes that she bound them.

So, yes, we can retell, we can extrapolate, but we must be clear that’s what we’re doing. And I think we also must take care not to go too far. After all, if a story is of a woman who is clearly not a fighter, why make her so when there are those who are? If we’re going to totally create a new character, should we give her a name of one that is the opposite of what she is. And while we might do this in fiction, non-fiction commentary on literature and history should be way out.

The most stunning example of completely changing the story of a woman in the texts, and not revealing that it is a modern fiction and not what is in the texts, is not actualy from either NeoPagan or a tourism agency, it’s from academic and novelist Peter Berresford Ellis.

I think he was even stretching it to describe Erni (aka Erne for whom Aerial view of Lough Erne Lough Erne was named) as Medb’s warrior his “Peter Tremayne” novel Badger’s Moon (Sister Fidelma #13, NY: St. Martin’s Press, 2005), however, he lists her as such also in Celtic Women: Women in Celtic Society and Literature (Grand Rapids, Michigan: Wm.B. Eerdmans Publishing Company, 1996 pg. 73). This is now happily repeated by countless NeoPagan websites and by Jessica Amanda Salmonson in The Encyclopedia of Amazons: Women Warriors from Antiquity to the Modern Era (University of Michigan, Pagagon Press, 1991). Admittedly, her work is full of poorly substantiated entries, with fiction and historical women noted as equally valid, but in this case she might be forgiven, for scholar Ellis says Erni is a mighty warrior, so we should admire her great deeds. Mighty is Erni!

Um…..

Before recounting, with citation, Erni’s great deeds, I’m going to be perfectly honest, Ellis obviously has better resources than I do, so maybe there’s some lost tale about Erne (yeah, I keep changing the last letter, “e” seems more common, he uses “i” and we’re discussing his work so, I’m trying to use “i” when referring to his work) that indicates this, that is totally opposite the versions I could find. If so, I shall happily stand corrected and rejoice in the finding of another warrior woman. The problem is, Ellis doesn’t cite his sources (bad academic, no biscuit!).

Here are her deeds, the bold emphasis is mine, the italics are not but rather indicate a mistranslation noted on the website source, see note next to it:

13. The chaste Erne, who knew no art of wounding,
50] the daughter of loud-shouting Borg Bán
(the warrior was an overmatch for a powerful third)
the white-skinned son of Mainchin son of Mochu.

14. The noble Erne, devoid of martial spirit, (footnote here notes correct translation is ‘free from venom’)
was chief among the maidens
in Rath Cruachan, home of lightsome sports:
women not a few obeyed her will.

15. To her belonged, to judge of them,
the trinkets of Medb, famed for combats,
her comb, her casket unsurpassed,
60] with her fillet of red gold.

16. There came to thick-wooded Cruachu Olcai
with grim and dreadful fame,
and he shook his beard at the host,
the sullen and fiery savage.

17. 65] The young women and maidens
scattered throughout Cruach Cera
at the apparition of his grisly shape
and the roughness of his brawling voice.

18. Erne fled, with a troop of women,
70] under Loch Erne, that is never dull,
and over them poured its flood northward and
drowned them all together.
The Metrical Dindshenchas, English: The Irish

That the more accurate translation is “free from venom” is actually interesting, given this would say that she’s not only not a warrior, but also harmless “even for a woman.” Poison being commonly considered a “woman’s weapon” by those who have throughout history seen us incapable of actual confrontational violence.

For comparison, the The Edinburgh Dinnshenchas tells the same tale and includes:

Erne with pride, a pure union,
Daughter of good Borg the Bellowing,
She fled — no deed to boast of —
Under Lough Erne for exceeding fear.
The Edinburgh Dinnshenchas, Whitley Stokes, ed. and trans., Folklore 4 (1893) pg. 476, English The Irish pg. 476

The Dinnshenchas of Dubthar, from the Book of Lecan, offers other versions, again with much fleeing and concern with chastity the “insult to the honour of her noble father.” The Irish manuscript series, Vol. 1, Part 1, pg. 186-189

None of these show much warrior tendency, is there a version that does? If so, I’d love to see it and also know what period it is from. Are these the changes from an earlier warrior tale? Sadly, I’m very doubtful that any such tale exists.

Understand, that I see no shame in a woman who is not a warrior to run from a potential rapist. In fact, in most cases, I recommend running to non-professional warrior women, usually after disabling the guy in some way to increase your odds and make him easier for the authorities to catch. However, such mannerisms do not speak of a mighty warrior, a professional warrior according to Ellis, a warrior to a warrior queen. I do not understand why he’d claim she was. So maybe there’s a tale I can’t find?

I think as we tell ourselves stories from the past in ways that are more empowering to us than may have been intended by the original tellers, that we avoid going this far. And avoid making out that a woman in the story is something quite opposite of what she is. I don’t really understand what motivation Ellis might have had in calling Erne a warrior, I’m sure he’s seen all versions of this (and maybe another). But while we might want to find more warriors in the ancient stories, we need to look harder and not change the tales completely.

Text copyright © 2011 Kym Lambert
Photo of Lough Erne from Department of the Environment (DOE) Northern Ireland Environment Agency (NIEA) used under terms of Open Government License.

A place where things come together

My gym, with photo shopped wolf picture someone never did make me for itAs I wasn’t writing much about Gaelic spirituality at the time I started this blog, having started at a time of conflict, flux and burn out in the community and taking things more private for awhile, I have realized it might seem a sudden switch to some of my readers. While the intent of this was always to be about various aspects of the warrior path in my life and how they came together, the focus had been on fitness, self-defense and popular culture. That itself might seem quite a mix to some. But it really is in my interest in the warrior ways of ancient Ireland and Scotland that all those things come together, the physical training and the importance of story.

I’m not good at compartmentalizing. Somethings need to be, however, and therefore when I wanted a space to blog about homesteading and to share with my husband, I made another blog Dùn Sgàthan Notes, I also joined a blog for horse advocacy although between three of us we seem a bit too overwhelmed by it all to post much. Then, in order to share space for writing about things related to The Sarah Connor Charm School, I created a blog for the group. This last is the most likely to have cross-posting. (What am I saying? The only thing I’ve posted there so far has been reposts of things from here. I hope this doesn’t annoy those who might read both.)

But this blog is for all things related to women on the warrior path, however diverse that may be for me. It’s a place where things come together for me in my practice. Now I also have a real space location that brings things together, as well.

For years now I’ve had limited space for exercise equipment. Usually a small room, which usually means that things overflowed into the rest of the house.It lead to some bad habits, like making a stop by the computer in between sets, removing my focus.

When I was planning to build my own house, it was actually pretty much centered around the idea of having a gym. A gym/temple, really. But I never built my house. A decade ago we moved into the “in-law apartment” of my parents’ home. Since their deaths, we now own the house…and we still live in the apartment. I wasn’t ready to use the rest, the apartment is smaller and easier to care for and heat and it just doesn’t “flow” into the rest easily. But we decided to find ways to expand into the rest. And, it of course, started with a gym.

Moving the living room Linda Hamilton as Sarah Connor doing chin-ups in Terminator 2furniture out of the way (come spring most of it will be moved completely out), we put down padded flooring, moved in the weights, benches, heavy bag. We added a pull-up and dip tower, as I have given up, for now, on finding the perfect bed frame to turn on it’s side. When things are moved out more we’ll have more open space, especially to work the bag, and probably get more equipment over time.

And in the far corner is a shrine. I may be the only Polytheist, especially the only HARD Polytheist, out there who has a shrine in her gym with a statue of An Morrígan and a figure of Sarah Connor. I hope these are joined by a figure or picture of Scáthach or other literary Irish warrior woman, or many, but I’m not finding the right one(s). I’m looking for well done and muscular, tattooed would be nice but muscle is more important. I have some great ideas in my head but a lifetime frustration of never being able to get such images out onto paper (my sister got that talent). I do have a list, a sort of prayer, instead:

I serve the War Goddesses
Badb and Macha and An Morrigan, whose name is Anand
Fea and Nemain, Bé Néit
I follow in the footsteps of the banfénnidi
Macha Mongruadh
Ness ingen Echach Sálbuidi
Medb ingen Echach Feidlig
Creidne
Scáthaig Buanand ingen Ardgeimme
Aifi ingen Ardgeimme
Bodbmall
Líath Lúachra
Luas Lurgann
Étsine
Bréfne
Símha ingen Chorrluirgnig
Bec ingen Conchoraig
Lithben ingen Aitreabhthaigh
Truth in our Hearts, Strength in our Arms, Fulfillment in our Tongues

(ETA April 2012: I have changed this over this time period, please read this post on why and how it reads now)

There are photos all around of Linda Hamilton as Sarah Connor. Some, now collected in a frame, are worn, faded, damaged, having gone from apartment to apartment with me for years, the first for 20 years this year, taped to the walls of various “workout rooms.” Likewise, there are similar pictures of Kathy Long. Later these were joined by Demi Moore doing one-armed push-ups as Lt. Jordan O’Neal in G.I. Jane (this also includes the statement “Failure Is Not An Option” at top and D.H. Lawrence’s poem “Self-Pity” at the bottom) and Sigourney Weaver as Ripley 8. But now I have more pristine photos of Linda, with autographs, including one of us together. I’ll be printing more from ComicCon to go up, too.

But while An Morrígan and Sarah Connor grace my shrine, it is not to say that the two images are the same. One is a representation of my Goddess, the other is a representation of a role model. As a hard Polytheist I do not believe that the Goddesses and Gods are archetypes. They are real and They are many. Even a Goddess I worship of the same name as a Goddess you worship might not even be the same Goddess. We are limited, They are not so much, we do not always know who They are, only Who They tell us and They may tell us to meet our always limited understanding.

And while I might be limited, I’m not completely simple either. I have no problem with both worshiping Goddesses I believe are very real and alive and being inspired by stories both ancient and modern. For me Sarah Connor and other modern role models are as potent as the ancient ones of Ness and Scáthach and other literary figures who I also do not believe are degraded* Goddesses but humans in the tales.

So this space, this very sacred space to me, is filled with images that represent the warrior path for me. It allows me to stay far more focused and mindful, more reverent than I have been for some time when working out with weights. I meditate, usually sitting on the balance ball, before the shrine between sets. I focus on what I am doing, what I am offering. Because working out is worship for me, a practice that deteriorated by bad habits, which now I am breaking.

There are no offering plates on this shrine as there are on my others. The offering is my blood, sweat and tears. If something else is demanded there, it will be given, but the focus here is on the work of the body. And where that meets the spirit.

 

*Yes, I know even some Celtic scholars these days use “euhermerized” but this word actually means the opposite; it actually means that the historical becomes mythological, that humans become Deities, not the other way around.

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Text and top photo copyright ©2011 Kym Lambert, wolf picture is currently photoshopped but a similar one will go there Drawing copyright © 2002 Aaron Miller
Photo of Linda Hamilton from Terminator 2 copyright © 1991 Carolco, currently owned by Pacificor LLC

Once Upon A Time….

Once upon a time, I believed that the past was filled with women warriors and there was a great deal of evidence for it especially among the Celtic cultures. Oh, a minority for sure, but there was so much evidence. Such as Boudicca, whose story is told in this video (from the BBC shorts Horrible Histories), Scáthach, Aoife, Medb….the list goes on especially from Ireland, as well as the Cáin Adamnáin. After all, warriors wouldn’t follow a woman if they didn’t have faith in women as warriors, there wouldn’t be all these stories if there were no women warriors, there would be no need to outlaw women warriors if there were no women warriors…..

Now I no longer believe that. Oh, don’t get me wrong, I believe there were Celtic women warriors. What I stopped believing was that there is any good evidence.

It took me a long time to get here and even when I was I was at first a bit reticent about it. After all, I AM writing a book on the Gaelic warrior path for women. The slowness was in part due to the fact that many renown Celticists have supported the that this is evidence, usually just in passing and often citing such evidence as noted above. For example Nora Chadwick stated following noting the Cáin as well that, “Taking what we’re told of Gaulish women warriors by classical writers, together with Boudicca, Cartimandua and Maeve, and with these stories, we cannot but wonder whether there was not some such institution among the most ancient of Celtic people.” (The Celts pg. 136, see below) She is hardly alone in such statements.

As I started up Teh Project again, however, I couldn’t let things go “just in passing.” I actually had to face the evidence issue, because it is something that we must confront and be truthful about. That there is no good evidence, yet I whole heartedly do still believe there were some women warriors in the early Gaelic cultures.

My belief is based simply on the simple fact that no matter how misogynist and repressive a culture is, there are always some women who are of a warrior nature. They may not be accepted as part of mainstream armies or able to openly show themselves to be both women and warriors. They may have been forced adopt the guise of men. They may have been pirates, highwaywomen, outlaws of some kind. And Outlaw in the Gaelic form is something we’ll discuss in a moment.

This puts me in lonely place in the on going debate within both Celtic studies and the Pagan Community about women warriors. Because one side continues to use this evidence, while the other refutes it as evidence or even claims that because because these women warriors typically have supernatural powers it means that there never could have been any women warriors (one would think they never heard of Fionn Mac Cumhail and Cú Chulainn or seem to think that their skills are common among men?). Those who take this view, and there are too many to cite here (go on nearly any “Celtic” email list and dare to write the words “women warriors” and you’ll find them), often also include a deep seated belief that women are inherently unable to be warriors, for example Michael Enright’s unsubstantiated (in a book otherwise filled with obsessive citations) long ranty footnote about how women are constructed in such a way as to not have any ability to fight at all. (Lady With a Mead Cup, pg. 211) It should be noted his evidence for women as Seers, and only Seers, in the warbands mostly consists of exploring stories with some mix of history, when it comes to the Irish tales he only considers to Feidelm, not, for example, Scáthach who was both warrior and Seer).

So here’s the problem with the “evidence” in a nutshell (yeah, I’m going to make you wait to see if I finish Teh Project for more details nah nah nah nah nah):

A lot of women have led armies who have no experience with warfare in history, for instance Joan D’Arc; others have been rulers who sent armies into war, pretty much any ruling queen. (Fraser, The Warrior Queens) Boudicca may have been a trained warrior or she may have been a symbol of hope through horror who male warriors fought for but had never fought herself, we actually do not know. Those who tell us of her, Tacitus and Cassius Dio had only others’ tales to repeat. There is good propaganda, which we’ll also consider in a moment, for a patriarchal culture to have an enemy who supposedly said “”We Britons are used to women commanders in war; I am the daughter of mighty men.” (see also The Agricola and The Germania)

Nor do they tell us anything about whether other women fought under Boudicca or not. The idea is pervasive, but we don’t have evidence. All we have is a bit of logic and the knowledge that during times of crisis, during uprisings and civil wars, women often did take up arms even if it was not the norm. Often they were the push aside and their stories seldom told. (Goldstein, War and Gender)

Other Roman’s such as Ammianus Marcellinus and Diodorus Siculus tell us of Celtic women as big as the Celtic men and as or more courageous and formidable in a fight. The problem with these accounts, however, is that it’s a common tactic for for patriarchal cultures to paint the enemy males as effeminate by claiming their women are masculine and not in proper control, therefore, fighting. (see Goldstein, War and Gender). Again, it may or may not be true, but you can’t use the source as actual proof.

But I’m not writing about Gauls or Britons, I’m writing about Gaelic women warriors, there are tons of them, right? Indeed. In the Irish literature. In fact, along with the well known Medb, Scáthach and Aoife, as well as the Warrior Goddesses, Badb, Macha and Morrígan, who is Anann, there are others. The problem is, they are all stories, some not very flattering to the women warriors. It’s as simple as that.

And people do write, and even fear, things that aren’t real, (think Aliens, for example) so while the fact they’re fiction does not prove women warriors didn’t exist, although I’ve seen such claims actually made on “Celtic” mailing lists, on the basis that the women tend to have supernatural capabilities yet no one claims that stories of the amazing abilities of Cú Chulainn and Fionn Mac Cumhail prove there were no male warriors, it also doesn’t really prove they did. It’s inspirational, it’s hopeful, it’s not proof. And while some may call them myths and proclaim they are a “window” to the Pre-Christian ways, that has been refuted by current scholars. (see, Mallory, ed. Aspects of…, McCone, Pagan Past.., Nagy, Conversing with…)

But certainly no one would make a law forbidding something that wasn’t taking place and the Cáin Adamnáin outlaws women warriors. Well, the citation thing here is getting dense for a blog post, so I’ll let you go looking for silly laws, some are just silly things to have laws about but others just aren’t going to be an issue. But the problem here is that that’s not what the original law Adamnán, or someone, issued. The Lex Innocentium or “Law of the Innocents,” was a much shorter proclamation that clerics, women and children were not to be harmed during warfare, as non-combatants and the punishments if one did. The prologue where the Saint and his mother see butchered women and she forces her son to protect them, actually claims that in Pagan times all Irish women were slaves, the best of them forced by their husbands to fight against each other, not glorious, autonomous warriors. It becomes a problem to claim this shows there were women warriors unless you want to claim those women warriors were slaves. (Kelly, …Early Irish Law and Bitel, Land of Women, pg. 85, 103-110, 211, 223)

What about archaeological evidence? As far as I’ve been able to find, after much looking, and I’m still trying to get more resources on this, there hasn’t been any. And it’s always a problematic evidence where it is found. Burial practices vary a lot, sometimes cremation was used, sometimes there are artifacts and sometimes not and we don’t really know when there are if they were used in life or indicated something else.

Female burials with weapons are often credited with being warrior women (Davis-Kimball and Behan, Warrior Women), but in some cases this may not be correct. As Deborah J. Shepherd points out in “The Elusive Warrior Maiden Tradition: Bearing Weapons in Anglo-Saxon Society” (in Carman and Harding, eds. Ancient Warfare pg. 222-224) in Anglo-Saxon culture it was known that sonless men would name their daughter as a surrogate son and she’d carry weapons as a symbol of that position, but seemingly never would be trained with them. It’s been pointed out that we need osteoarchaeological study of remains to determine if someone buried with them used them in life; perhaps we need to do so in order to see if those not buried with weapons might have trained as well. (see Hanks, “Reconsidering Warfare, Status, and Gender,” iLinduff and Rubinson, eds. Are All Warriors Male? pg. 15-34, see the rest of this book for various views on various cultures)

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Meave painting by J.C. Leyendecker 1907
So what the hells am I doing here, championing the concept of a modern Gaelic warrior path for women, I believe there is no evidence, if I in fact refute the evidence so many believe in? Well, sometimes I wonder. ~;p But really, it’s simple, as I already noted, I still believe there were women warriors, based only on circumstantial evidence as it were. Including the very personal knowledge that no matter what, some women just are called to this path, no matter what their culture might dictate. It may be a small number, but we exist and it’s unlikely there weren’t a few in any culture. “Few” never means “none.” It might make them hard to find, however.

Goldstein estimates the number of women warriors as 1%…that is both 1% of warriors are women and 1% of women are warriors…on average through the world and time. At the moment he estimates it’s about 3% although he’s noting only within the military, not LEO or others who may be described as warriors. (Goldstein, War and Gender, pg 10-11) And he notes not all of these women are in combat positions (although, of course, many non-combat personnel see combat these days…something that’s been true a lot throughout history). Given this, it’s not always hard to hide that 1-3% and can be very difficult to find.

So, I don’t believe there were a LOT of women warriors, but there were some. I also believe that they may not have been part of the culture, that is, I in the regular tribal groups there may only have been male warriors. I think the place female warriors might have existed is Outside, in the Outlaw warrior bands. While we can’t take it, obviously, as actual proof, it’s interesting that the words for “woman warrior” are, from what I’ve found, either a form of ban-fhénnid or bangaisgedh, which tend to indicate an Outlaw Warrior.

While clerics were happily writing tales of tribal matters, the stories of the Fianna, which when mentioned in saints tales were interchangeable with díberga, weren’t recorded until later (McCone, “Werewolves, …”). While we know that young males, prior to attaining their adult rights, would be in these bands, which is also shown in the tales of Fionn, Red and black Pictish Wolf by Aaron MillerMcCone finds it likely that there were men who were never given inheritance who remained. In the tales Fionn is an example. He doesn’t speculate about women in the bands, but Nagy notes those associated with Fionn himself, especially his fosterers. (The Wisdom of the Outlaw) In most of the tales we have of women involved, with the exception of Fionn’s fosterers and Aoife, who is so named (Scáthach isn’t, but is clearly a woman warrior who is Outside the culture in question), the women likewise are only ban-fhénnid for the time they must be for revenge. (Nessa and Creidne, for example) If women remained in the wilderness throughout their lives, how would we even know about it?

Another hint might be that although the early Christian Irish laws tended to see women as incapable of harming any but children and other women, there was concern over female werewolves. (confail conrecta, “a woman who likes to stray in wolf-shape, from Bitel, pg. 219-220, Carey, “Werewolves” pg. 64-68) McCone has made the connection between werewolves and the Outlaw Warriors, of course. (“Werewolves, Cyclopes,….”). It is a connection which intrigues me greatly.

Unfortunately, this is purely speculative and based on the stories. I hope we do get the archaeological evidence someday, but until then, my theory is that we should look to the stories for their inspiration. Many are uninspiring, with the women not shown in good light. I think it’s reasonable to retell these to ourselves in more positive ways, with the constant caveat that it’s not the way the stories went. We find inspiration in modern stories.

Stories, ancient or modern, inspire us, stories let us build our own stories, stories become true for us if we make them so. That’s why I am doing this.

Bibliography

Lisa Bitel, Land of Women: Tales of Sex and Gender from Early Ireland, Ithaca: Cornell University Press, 1996

John Carey, “Werewolves in Medieval Ireland,” Cambrian Medieval Celtic Studies 44 (Winter 2002)

John Carman and Anthony Harding, eds. Ancient Warfare: Archaeological Perspectives, Gloustershire: Sutton Publishing, 2004

Cassius Deo, Roman History

Nora Chadwick, The Celts: A Lucid and Fascinating History, New York: Penguin Books, 1971

Jeannine Davis-Kimball and Mona Behan. Warrior Women: An Archaeologist’s Search for History’s Hidden Heroines, New York: Warner Books, 2002

Michael Enright, Lady With a Mead Cup: Ritual Prophecy and Lordship in the European Warband from La Tene to the Viking Age Dublin: Four Courts Press, 2007

Antonia Fraser. The Warrior Queens: The Legends and the Lives of the Women who have led Their Nations in War New York: Vintage Books, 1990

Joshua S. Goldstein, War and Gender: How Gender Shapes the War System and Vice Versa, Cambridge, UK: Cambridge University Press, 2001

Fergus Kelly, A Guide to Early Irish Law, Dublin: Dublin Institute for Advanced Studies (School of Celtic Studies), 2001

Katheryn M. Linduff and Karen S. Rubinson, eds. Are All Warriors Male? Gender Roles on the Ancient Eurasian Steppe, Lanham: AltaMira Press, 2008

Kim McCone, “Werewolves, Cyclopes, Díberga and Fíanna: Juvenile Delinquency in Early Ireland” Cambridge Medieval Celtic Studies, issue 12, 1986

Kim McCone, Pagan Past and Christian Present in Early Irish Literature, Maynooth: An Sagart, 1990

J. P. Mallory, ed. Aspects of The Táin, Belfast: December Publications, 1992

Ammianus Marcellinus, Roman History, Book 15. London: Bohn, 1862

Kuno Meyer, Cáin Adamnáin: an old-Irish treatise on the law of Adamnan, Oxford: Clarendon Press, 1905

Kuno Meyer, Fianaigecht :being a collection of hitherto inedited Irish poems and tales relating to Finn and his Fiana, Dublin: Hodges, Figgis & Co., 1910

Joseph Falaky Nagy. The Wisdom of the Outlaw: The Boyhood Deeds of Finn in Gaelic Narrative Tradition, Berkeley: University of California Press, 1985

Joseph Falaky Nagy, Conversing with Angels and Ancient: Literary Myths of Medieval Ireland, Ithaca: Cornell University Press, 1997

Diodorus Siculus The Library of History

Whitley Stokes, trans, “Scéla Conchobair maic Nessa/The Tidings of Conchobar son of Ness,Ériu vol. II. London: David Nutt, 1908

Tacitus, The Annals of Tacitus

Tacitus, (M. Mattingly and S. A. Handford, trans.) The Agricola and The Germania, New York: Penguin Books, 1970

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copyright ©2011 Kym Lambert
Meave painting
by J.C. Leyendecker 1907 for Theodore Roosevelt’s “The Ancient Irish Sagas”
Pictish Wolf reproduction © 2002 Aaron Miller